Worthing Museum & Art Gallery loans two paintings to the Scottish National Gallery

Over the summer the Scottish National Gallery of Modern Art presented True To Life, an exhibition which focused on British Realist painting in the 1920s-30s, and featured two oil paintings supplied by Worthing Museum & Art Gallery.

The exhibition brought together 93 paintings by an almost forgotten generation of artists, and explored the realist tradition in British art between the two World Wars. It focused on scrupulously detailed British realist painting which has often been overlooked in favour of more avant-garde styles emerging during this period. True To Life was received fantastically well by visitors and in the UK media, which included being on the front cover of The Guardian, with a subsequent four star review. It also featured as a long-form cover feature in The Times who named it “The Exhibition of the Season” which was just one of its many accolades.

The first of the two oil paintings on loan from Worthing Museum & Art Gallery was Keith Henderson’s Harbour Crowd, c.1930-31. Exhibited in the Royal Academy in 1935, Harbour Crowd attracted much admiration. It was illustrated in The Tatler (8 May, 1935) where it was described as a ‘remarkably vivid painting’.

Unpacking of “Harbour Crowd”

The second oil painting on loan was Ernest Procter’s All the Fun of the Fair, c.1924. Exhibited in the Royal Academy in 1924, it depicts the funfair at Newlyn, Cornwall.

‘All the Fun of the Fair’

Emma Walder, Art Curator, Worthing Museum & Art Gallery, Says “When the Scottish National Gallery approached us early in the year it was a really pleasant surprise. To have the opportunity to display two pieces from our collection to a new national audience was a privilege, and to have that work displayed as part of such a highly prestigious exhibition which has had phenomenal reviews is a real honour. It had taken many months to organise and prepare the pieces ready for collection, delivery and display and now we’re incredibly proud to have been involved in this project, and we hope that we can continue to work with national galleries such as this one in the future.”


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